Soul Music

BBC Radio 4

Series about pieces of music with a powerful emotional impact

  1. 26. APR.

    Bésame Mucho

    The Mexican pianist and composer Consuelo Velázquez was only 16 years old when she wrote Bésame Mucho, and she was yet to have her first kiss. Composer and conductor Odaline de la Martinez remembers hearing the song on the radio as a child in Cuba. She translates the Spanish lyrics - "Kiss me, kiss me passionately, as if tonight was the last time... Kiss me, because I'm afraid to lose you, afterwards". It's an achingly romantic bolero that has been translated into more than 20 languages and recorded by hundreds of artists, including João Gilberto, Frank Sinatra, Cesaria Evora, Diana Krall, Josephine Baker, Trio Los Panchos and The Beatles. Music writer Richard Williams talks about the eternal appeal of the melody and how it creates its emotional impact. German singer and composer Roland Kunz tells the tragic story behind the melody which inspired Consuelo to write the song: a piece by the Catalan composer Enrique Granados, who died the year Velázquez was born. At the height of WWI, Granados and his wife were on their way home to Spain from New York, when their passenger ship was torpedoed by a German U-boat. The story goes that Enrique was picked up by a lifeboat but saw his wife struggling in the water and dived in to save her. They perished, along with 50 other passengers. We hear stories of three very different couples who loved to dance to the song. Peter and Dorothy Tozer met at a dance school in Acton in 1962 when they were 17 and 16 years old. When the song played during the lesson on the night they met, the dance instructor suggested that - as it was Valentine's Day - everyone should give a kiss to whoever they were dancing with at that moment. The two complete strangers shared a kiss, and have been together ever since. When Stephen Miller met his Mexican wife Maria, love wasn't on either of their minds. Stephen was in his fifties and had lost his first wife to cancer. Maria had been a single mum for many years. He didn't speak much Spanish, and she didn't speak much English, but they fell in love and had many wonderful adventures together. One day Stephen was backing the car out of the driveway when he hit the wall. He had begun to lose his sight. As the couple were still adjusting to their new reality, Stephen realised that Maria's memory was beginning to slip. He talks about navigating blindness and dementia, and how they would drop everything to dance together to Bésame Mucho, the lyrics of which grew ever more poignant over time. And Denis Ledoux remembers his wife Martha, who died at 56. They loved to dance to the Cape Verdean singer Cesária Évora's version of the song, practicing their dance steps in the living room. After Martha's death, he would listen to the song all the time, sometimes every day. The song became a way to hold onto her and the life they has shared. Denis reflects on how the song's lyric "kiss me, as if tonight was the last time" made him think of all the last times with Martha that he didn't know were last times. Produced by Mair Bosworth Mixed by Ilse Lademann Soul Music is a BBC Audio Bristol production for BBC Radio 4

    28 Min.
  2. 1. JAN.

    Sailing By

    Written in 1963, 'Sailing By' by Ronald Binge was chosen by the BBC as the musical interlude to be played every night before the Shipping Forecast. These are the stories of some of the people for whom this piece has a powerful emotional connection. After Cyrilene Tollafield's parents left Barbados for the UK, Cyrilene heard 'Sailing By' whilst cuddling up to her grandmother and her cousins during hurricane warnings. Writer Henrietta McKervey spent a night in Fastnet lighthouse and listened to 'Sailing By' as she drifted off to sleep. Having spent years of his life out at sea, Captain Harry McClenahan marvels at how the piece mirrors the rises and falls of the sea. Chris Binge would interrupt his dad whilst he was composing at the piano in his music room, the air thick with cigarette smoke, and says whenever people find out who his father was it's 'Sailing By' that they know. Helen Harrison conducted the piece at a concert in Blackpool and at the piano she unpacks the musicality and orchestration of the piece. The best part of Jane Heiserman's day is the hour in the evening when she and her adult son, who has autism and lives at home, study together. 'Sailing By' became a firm favourite of theirs when they were looking for music as part of a module on the Intertropical Convergence Zone. She says it brings a sense of calm to their day and serves as confirmation that everything is going to be alright. With recordings of 'Sailing By' by The Perry/Gardner Orchestra, Helen Harrison, Dave Spooner (Ronald Binge's Grandson) and Baked A La Ska. Producers: Maggie Ayre and Toby Field Technical Producer: Ilse Lademann Editor: Emma Harding Soul Music is a BBC Audio Bristol production for BBC Radio 4.

    28 Min.
  3. 26.10.2024

    Lovely Day by Bill Withers

    "Lovely Day" was released in 1977. Its simple blissful melody masks profound lyrics which on closer examination offer hope and solace to many fans of the song. Some of them share their stories here of what it means to them, including two people who had the privilege of meeting and working with Bill Withers. Taro Alexander was a shy insecure young man with a stutter who founded an organisation for children like him who struggled with speaking in public. As a boy he would listen to Lovely Day in his bedroom. Often it was the only way he could get himself out of that bedroom and off to school. To his surprise he learned that Bill Withers had also had a difficult time throughout his childhood because of his stutter and invited him to meet the young people of SAY (The Stuttering Association for The Young). Taro was deeply moved by Bill Withers' reaction to the young people and says the song speaks to so many of us in our daily struggles. Bass player John Inghram met and worked with Bill twice at the Music Hall of Fame in West Virginia where both men are from. He organised a tribute concert to him on his 80th birthday and played Bill Withers songs exclusively to honour the man he describes as generous and 'utterly hilarious'. Sunita Harley had Lovely Day on her playlist when she went into hospital for the birth of a much longed for IVF baby. On a snowy April day after a long arduous labour she held her daughter in her arms for the first time and the sun shone through the window as Lovely Day came on the playlist. Philippa King and her daughter Milly have a special place in their hearts for the song. It came on the car radio on a beautiful sunny drive along the coast near Brighton. It was Milly's first trip outside of the hospital where she'd been for many months dangerously ill with Crohns Disease. The song gave mother and daughter hope that things would get better and it became their victory anthem when Milly was finally able to leave hospital. Karen Gibson MBE founded the Kingdom Choir and has conducted and mentored many young singers. Their gospel version of Lovely Day is a thrillingly uplifting reminder that we can all choose to make it a lovely day no matter what else is going on in our lives while we either listen to or sing that song. Producer: Maggie Ayre

    28 Min.
  4. 19.10.2024

    Tender

    "Tender is the night lying by your side / Tender is the touch of someone that you love too much..." - Chris Lightfoot will always associate Blur's song 'Tender' with his first big love. A relationship he moved across the world for, with someone he loved deeply and who changed the course of his life. A relationship he ultimately couldn't make work. The song came on, and they held each other - knowing they had to let each other go. "Tender is the day the demons go away / Lord, I need to find someone who can heal my mind..." - Music writer Jason Draper explains how the song was born out of a period of huge change and turmoil for Blur. Lead singer Damon Albarn's relationship with Justine Frischmann of Elastica had come to "a spectacularly sad end"; while guitarist Graham Coxon was tackling his own demons and taking steps towards sobriety. Living alone in a one-bedroom flat in West London and listening to a lot of Otis Redding, Damon had begun writing lyrics for a new song. Not a bitter break-up song, but one "that paid tribute to how important something was in my life... a celebration of love found and lost but not forgotten". Across town, Graham woke up one morning - still half dreaming - with a refrain circling in his head - "oh my baby, oh why, oh my" and captured a fragile guitar line on his dictaphone. These elements came together in studio, with the help of Producer William Orbit and 40 singers from the London Community Gospel Choir, to create a cathartic anthem that feels like a secular hymn. "Come on, come on, come on / Get through it..." - Catherine Anne Davies, who makes music as The Anchoress, has loved Blur since she was a teenager. Tender has been there for her through break ups and times of difficulty. She talks about her experience of covering the song and explains how the structure creates its emotional impact. "Oh my baby, Oh my baby..." - For Sarah, the song will always be associated with the arrival of her first child, after it came on in the taxi on the way to hospital on the way to give birth. The song carried her through the overwhelming contractions and has gone on to become a cherished family lullaby. "'Tender is the night, lying by your side....' That's it isn't it? The love that you feel for the people closest to you, is almost too much... because of the risk involved, but it's a risk we're willing to take". "Come on, come on, come on / Love's the greatest thing, that we have..." - For Naomi Chiffi, the song provided a powerful outlet for grief and an opportunity for communion, after losing both her father and cousin to suicide. For her, it's a reminder to give out love every chance we get - "love is the only thing that really matters". Produced by Mair Bosworth for BBC Audio

    29 Min.
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Series about pieces of music with a powerful emotional impact

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